Portrait of a leaf

Shadow is everyday experience, it co-exist with light, and it balances the light. This image, took with one of favorite compact camera, Contax TV-S, shot in a small town outside Toronto, Canada, while I was meeting there.

A small forest next to the hotel I stayed, I have the Contax in my pocket, take a walk in the woods, the sunlight penerated the foliage, onto a rock full of moss, and I saw the shadow of the leaf, grab the Contax, made this picture.

Shutter speed

Today's digital capture gives the photographers much more flexible control with their tools. In particular, the state of the art digital camera, especially the Japanese major DSLR offerings, capable of allowing photographer use higher ISO setting to make use of available light, or more dramatic control of mixing lights, that otherwise very difficult for those days shooting with film.
This one, shot for AinoSofia, with Canon 1Ds III with EF 85/1.2L. The capability of more flexible ISO value setting provides more control on the aperture and shutter speed need to capture the image envisioned. This one, with the shutter speed just enough to freeze the main subject while leaving trails of motions on clothing, and the depth of field needed for the ambient space.

Shadow

Shadow is everyday and everyone's experience. It gave the sense of direction, hint of dimension, and of curse the mood. This shot, made with Canon 1Ds III with my favorite EF 50/1.2L, is a good example. Without the shadow, the model's pose will look very unnatural, and lack of balance. It is part of the picture.

Camera matters, or is it?

I have the opportunity in my professional image work use a large number of cameras and lenses and digital backs, most of which I own in one time or another, most still with me. I am not a collector, but I do like to try new tools.

From the cameras I use, quite rare with film now, almost all digital, from small and compact 4 million pixels digital camera like Contax TV-S, Sigma DP-1 and DP-2, Canon G9/G10, Leica M8 and M9, Canon 1Ds II and 1Ds III, Nikon D3X, Phase One P25, P45+ and P65+, Sinar eMotion 75LV on Hy6 and quite many lenses, and Hasselblad H3D system + lenses. Is there any particular camera produce the best image? No, I don't think so. I think the quality of the image is photographer's sole responsibility, nor any particular client specific requests the highest resolution cameras, not even the higher paid customer get to use higher cost cameras, no they do not mater, it is about the image, not the camera. it is basically what I think will work, then I use it.

Today's media has a huge appetite for unlimited images, quite often it is web-base and does not require the best possible camera, but rather, outstanding concept the image present, and hopeflly, catch higher attention.

This image as an example, for its image size, I could have used just any camera to get the look, but I use Phase One P45+ on Contax 645, with Vario-Sonnar 45-90mm for this shot, why? I simply like the feel of holding a Contax camera.

Sheeeee

I have in several previous post surround the subject of bringing motion into a still image, this one, shot with Canon 1Ds III and EF 85/1.2L, is the same approach although different execution.

I asked Kate, a Russian model in this picture, to put her finger closer to her lip as she is "sheeeeeing:. And I hope, it adds some story to otherwise a boring picture.

Black and White in Color

The phtography as we knew it developed from the monochrom silver halide base film, then color, and quite many chemical based materials in between. Then the digital, a physical base photography, with devices made from CCD and CMOS base, promote this media to a unprecedented popularity. Erwin Puts has covered this with lots of quality essays in his blog, highly recommended to read.
Anyway, here I am talking about photography as a classical art, the photographer gets to do what he wants, regardless the media. But is there any particular way to shoot black and white film? Different from color negative? And many even go as far as different ways in shooting negative and slide. Now, with the digital device, arguments flying over internet with volumes challenges the largest hard drives.
I don't think it matters. This image, made on Sandra, with Sinar eMotion 75LV on Hy6, Schneider 80/2.8 AFD lens, is one example.

Tibetan Kids

A snap shot on 2 kids smiling to me and my camera, a Leica M8 mounted with Summilux-M 35/1.4 ASPH, I quickly press the shutter.
It was inside the Tsebang temple, Lhasa, Tibet. Today, it is hard to see the tension between the mainland Han people and the local Tibetan, probably no longer due to those army camp in the city, rather, lots of RMB, and perhaps the tourists, like me, among those hundreds of thousand each year shift their focus on to the reality.
It is a hard argument. The Chinese involvement in Tibet without doubt cause the exile of Dalai Lama, himself a controversial figure, and seemed to be a likeable person portrait from the Western press. But it is a question if the Tibetan people will have a chance for better life such as today if it is ruled by Dalai Lama, perhaps not because of where he comes, but more on those secrecy in the power transition. Yes, we can see Dalai Lama a victim, but when you look at Tibet today and yesterday and how the people lived there, I am not so sure if the people is the victim.